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Over the past decade or so, the emergence of terms like "non-binary" and expansions of the meaning of “queer sexuality,” have indicated a kind of loosening up of social values and prohibitions around non-normative expressions of embodiment. At the same time, however, new legislation around the country and globally seeks to prevent young people from accessing trans affirmative care and to limit sex education. Concerns about the widespread adoption of trans and non-binary forms of embodiment has initiated a panic of sorts among some conservatives, religious leaders and “family first” groups.
Poet Meg Fernandes and cultural critic Jack Halberstam discussed gender identification and sexual styles, while sharing new ways of talking about identity, the body, obedience and disobedience, community and its limits, fiction and fantasy, love, life and desire with the audience. Fernandes also read from her new book of poems, I Do Everything I’m Told (2023). Moderated by Irene Kacandes, Dartmouth College.
Download Gender, Desire, Embodiment Reading List (PDF, 192 KB)
In Partnership with the Walter de Gruyter Foundation.
Event photos: Sarah Blesener
Biographies
Megan Fernandes is a South Asian American writer living in NYC. She was born in Canada and raised in the Philadelphia area. Her family are East African Goans. Fernandes has work published in The New Yorker, The American Poetry Review, Tin House, Ploughshares, Chicago Review, Boston Review, Rattle, PANK, The Common, Guernica, the Academy of American Poets, and McSweeney’s Internet Tendency, among others. She is the author of The Kingdom and After (Tightrope Books, 2015) and Good Boys (Tin House, 2020). Her third book of poetry, I Do Everything I’m Told (Tin House), was published in summer 2023. Fernandes is an Associate Professor of English and the Writer-in-Residence at Lafayette College where she teaches courses on poetry, creative nonfiction, and critical theory. She holds a PhD in English from the University of California, Santa Barbara and an MFA in poetry from Boston University.
Jack Halberstam is Professor of American Studies and Ethnicity, Gender Studies and Comparative Literature at Columbia University. Halberstam is the author of five books including: Skin Shows: Gothic Horror and the Technology of Monsters (Duke UP, 1995), Female Masculinity (Duke UP, 1998), In A Queer Time and Place (NYU Press, 2005), The Queer Art of Failure (Duke UP, 2011) and Gaga Feminism: Sex, Gender, and the End of Normal (Beacon Press, 2012) and has written articles that have appeared in numerous journals, magazines and collections. Halberstam is currently working on several projects including a book on Fascism and (homo)sexuality.
Halberstam has co-edited a number of anthologies including Posthuman Bodies with Ira Livingston (Indiana University Press, 1995) and a special issue of Social Text with Jose Munoz and David Eng titled “What’s Queer About Queer Studies Now?” Jack is a popular speaker and gives lectures around the country and internationally every year. Lecture topics include: queer failure, sex and media, subcultures, visual culture, gender variance, popular film, animation.
Irene Kacandes was educated at Harvard University, Aristotle University (Thessaloniki) and the Freie Universität (Berlin). Kacandes holds the Dartmouth Professorship #2 at Dartmouth College, where she teaches in the fields of German Studies, Comparative Literature, Women’s, Gender and Sexuality Studies, and Jewish Studies. Author or editor of nine books, her most recent publications include Let’s Talk About Death (Prometheus, 2015) and Eastern Europe Unmapped (Berghahn, 2017). Her reflection on her paternal family’s fate in Occupied Greece, Daddy’s War (Nebraska, 2009, 2012), proposed a new genre, the paramemoir, for the study of personal material. Just released is the edited volume On Being Adjacent to Historical Violence (De Gruyter 2022). Kacandes has held a number of top positions in international professional organizations, including the presidency of the German Studies Association and of the International Society for the Study of Narrative. She also runs a book series on “Interdisciplinary German Cultural Studies” at De Gruyter, Germany.
Over the past decade or so, the emergence of terms like "non-binary" and expansions of the meaning of “queer sexuality,” have indicated a kind of loosening up of social values and prohibitions around non-normative expressions of embodiment. At the same time, however, new legislation around the country and globally seeks to prevent young people from accessing trans affirmative care and to limit sex education. Concerns about the widespread adoption of trans and non-binary forms of embodiment has initiated a panic of sorts among some conservatives, religious leaders and “family first” groups.
Poet Meg Fernandes and cultural critic Jack Halberstam discussed gender identification and sexual styles, while sharing new ways of talking about identity, the body, obedience and disobedience, community and its limits, fiction and fantasy, love, life and desire with the audience. Fernandes also read from her new book of poems, I Do Everything I’m Told (2023). Moderated by Irene Kacandes, Dartmouth College.
Download Gender, Desire, Embodiment Reading List (PDF, 192 KB)
In Partnership with the Walter de Gruyter Foundation.
Event photos: Sarah Blesener
Biographies
Megan Fernandes is a South Asian American writer living in NYC. She was born in Canada and raised in the Philadelphia area. Her family are East African Goans. Fernandes has work published in The New Yorker, The American Poetry Review, Tin House, Ploughshares, Chicago Review, Boston Review, Rattle, PANK, The Common, Guernica, the Academy of American Poets, and McSweeney’s Internet Tendency, among others. She is the author of The Kingdom and After (Tightrope Books, 2015) and Good Boys (Tin House, 2020). Her third book of poetry, I Do Everything I’m Told (Tin House), was published in summer 2023. Fernandes is an Associate Professor of English and the Writer-in-Residence at Lafayette College where she teaches courses on poetry, creative nonfiction, and critical theory. She holds a PhD in English from the University of California, Santa Barbara and an MFA in poetry from Boston University.
Jack Halberstam is Professor of American Studies and Ethnicity, Gender Studies and Comparative Literature at Columbia University. Halberstam is the author of five books including: Skin Shows: Gothic Horror and the Technology of Monsters (Duke UP, 1995), Female Masculinity (Duke UP, 1998), In A Queer Time and Place (NYU Press, 2005), The Queer Art of Failure (Duke UP, 2011) and Gaga Feminism: Sex, Gender, and the End of Normal (Beacon Press, 2012) and has written articles that have appeared in numerous journals, magazines and collections. Halberstam is currently working on several projects including a book on Fascism and (homo)sexuality.
Halberstam has co-edited a number of anthologies including Posthuman Bodies with Ira Livingston (Indiana University Press, 1995) and a special issue of Social Text with Jose Munoz and David Eng titled “What’s Queer About Queer Studies Now?” Jack is a popular speaker and gives lectures around the country and internationally every year. Lecture topics include: queer failure, sex and media, subcultures, visual culture, gender variance, popular film, animation.
Irene Kacandes was educated at Harvard University, Aristotle University (Thessaloniki) and the Freie Universität (Berlin). Kacandes holds the Dartmouth Professorship #2 at Dartmouth College, where she teaches in the fields of German Studies, Comparative Literature, Women’s, Gender and Sexuality Studies, and Jewish Studies. Author or editor of nine books, her most recent publications include Let’s Talk About Death (Prometheus, 2015) and Eastern Europe Unmapped (Berghahn, 2017). Her reflection on her paternal family’s fate in Occupied Greece, Daddy’s War (Nebraska, 2009, 2012), proposed a new genre, the paramemoir, for the study of personal material. Just released is the edited volume On Being Adjacent to Historical Violence (De Gruyter 2022). Kacandes has held a number of top positions in international professional organizations, including the presidency of the German Studies Association and of the International Society for the Study of Narrative. She also runs a book series on “Interdisciplinary German Cultural Studies” at De Gruyter, Germany.
Over the past decade or so, the emergence of terms like "non-binary" and expansions of the meaning of “queer sexuality,” have indicated a kind of loosening up of social values and prohibitions around non-normative expressions of embodiment. At the same time, however, new legislation around the country and globally seeks to prevent young people from accessing trans affirmative care and to limit sex education. Concerns about the widespread adoption of trans and non-binary forms of embodiment has initiated a panic of sorts among some conservatives, religious leaders and “family first” groups.
Poet Meg Fernandes and cultural critic Jack Halberstam discussed gender identification and sexual styles, while sharing new ways of talking about identity, the body, obedience and disobedience, community and its limits, fiction and fantasy, love, life and desire with the audience. Fernandes also read from her new book of poems, I Do Everything I’m Told (2023). Moderated by Irene Kacandes, Dartmouth College.
Download Gender, Desire, Embodiment Reading List (PDF, 192 KB)
In Partnership with the Walter de Gruyter Foundation.
Event photos: Sarah Blesener
Biographies
Megan Fernandes is a South Asian American writer living in NYC. She was born in Canada and raised in the Philadelphia area. Her family are East African Goans. Fernandes has work published in The New Yorker, The American Poetry Review, Tin House, Ploughshares, Chicago Review, Boston Review, Rattle, PANK, The Common, Guernica, the Academy of American Poets, and McSweeney’s Internet Tendency, among others. She is the author of The Kingdom and After (Tightrope Books, 2015) and Good Boys (Tin House, 2020). Her third book of poetry, I Do Everything I’m Told (Tin House), was published in summer 2023. Fernandes is an Associate Professor of English and the Writer-in-Residence at Lafayette College where she teaches courses on poetry, creative nonfiction, and critical theory. She holds a PhD in English from the University of California, Santa Barbara and an MFA in poetry from Boston University.
Jack Halberstam is Professor of American Studies and Ethnicity, Gender Studies and Comparative Literature at Columbia University. Halberstam is the author of five books including: Skin Shows: Gothic Horror and the Technology of Monsters (Duke UP, 1995), Female Masculinity (Duke UP, 1998), In A Queer Time and Place (NYU Press, 2005), The Queer Art of Failure (Duke UP, 2011) and Gaga Feminism: Sex, Gender, and the End of Normal (Beacon Press, 2012) and has written articles that have appeared in numerous journals, magazines and collections. Halberstam is currently working on several projects including a book on Fascism and (homo)sexuality.
Halberstam has co-edited a number of anthologies including Posthuman Bodies with Ira Livingston (Indiana University Press, 1995) and a special issue of Social Text with Jose Munoz and David Eng titled “What’s Queer About Queer Studies Now?” Jack is a popular speaker and gives lectures around the country and internationally every year. Lecture topics include: queer failure, sex and media, subcultures, visual culture, gender variance, popular film, animation.
Irene Kacandes was educated at Harvard University, Aristotle University (Thessaloniki) and the Freie Universität (Berlin). Kacandes holds the Dartmouth Professorship #2 at Dartmouth College, where she teaches in the fields of German Studies, Comparative Literature, Women’s, Gender and Sexuality Studies, and Jewish Studies. Author or editor of nine books, her most recent publications include Let’s Talk About Death (Prometheus, 2015) and Eastern Europe Unmapped (Berghahn, 2017). Her reflection on her paternal family’s fate in Occupied Greece, Daddy’s War (Nebraska, 2009, 2012), proposed a new genre, the paramemoir, for the study of personal material. Just released is the edited volume On Being Adjacent to Historical Violence (De Gruyter 2022). Kacandes has held a number of top positions in international professional organizations, including the presidency of the German Studies Association and of the International Society for the Study of Narrative. She also runs a book series on “Interdisciplinary German Cultural Studies” at De Gruyter, Germany.
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